Join Hannah Palmer, Assistant Director of Academic Programs and Projects, for an Information Session about Summer Funding for undergraduates. 

Zoom link

Join the Center for Inter-American Policy and Research for the second speaker in 2024 Fall Series: Political Violence and Democratic Representation in Latin America. Isabel Laterzo-Tingley (UT Austin) will give a talk entitled Political Positions on Public Security in which she’ll discuss why the common perception of public security policy measures as either tough-on-crime strategies or socially oriented, preventative solutions, is an oversimplification, using Brazil as a case-study.

Date: Monday, November 18
Time: 5:30 pm
Location: Freeman Auditorium (Room 205 - Woldenberg Art Center)

***Reception will follow immediately after the keynote session***

RSVP - Non-Tulane Affiliates

Tulane launch for Season of the Swamp with author Yuri Herrera in conversation with Carolina Sánchez, Zemurray-Stone Post-Doctoral Fellow.

What are the limits of history and how do artists and writers create new approaches to narrating the past?  Kaiama Glover and Laurent Dubois explore these questions in their forthcoming translation of Jean-Claude Fignolé’s novel Aube tranquille (Quiet Dawn). Our conversation will center on the artistic movement known as Spiralism, which emerged in Haiti in the 1960s under François Duvalier's dictatorship.

In the aftermath of the Revolution of 1910, Mexican artists, scholars, and government officials worked to revive the image and idea of the original Mexica (Aztec) capital in Modern Mexico City. A tight social network of thinkers oversaw a conceptual excavation of Tenochtitlan in the context of a rapidly modernizing urban landscape, actively rewriting the myth of the capital's Hispanic origins in favor of a mestizo civic identity--a process that in many ways continues to this day.

Join us for our tailgate as we gather to cheer on the Green Wave! Stop by before the game to catch up with us, enjoy delicious empanadas, and grab a drink. 

For the Classic Maya, night was an alien landscape, antithetical and inimical to humans, the domain of predatory, rapacious animals such as jaguars, bats, and mosquitos. As I’ve shown previously (Zender 2010, 2012), such creatures are classified in Maya writing and art as “nocturnal” through the visual infixation of an element reading AHK’AB ‘darkness’. Some of these beings are actually nightmarish, such as the shrieking bats often shown holding plates of dismembered human body parts, their wings marked with disembodied eyes, crossed bones, and mandibles.