I specialize in Argentine and Latin American Film History. My main interests are Classical Cinema, Film Distribution and Exhibition, Film Spectatorship, working with transmedial and transnational perspectives. I am also interested in Digital Humanities and their methodological and theoretical impact on Cultural History projects.

I am the author of Modernidad y teléfonos blancos. La comedia burguesa en el cine argentino de los años ’40 (2019), which examines mainstream comedy and its relation to modernity and social changes in 1940’s Argentina. I am also the co-editor of En la cartelera. Culturas cinematográficas en América Latina, 1896-2020 (upcoming), with Nicolas Poppe, which proposes a renewed cartography of Latin American cinema by centering on film cultures and spectators.

I am currently working on a project that focuses on the Argentine film field during World War II as an arena where both Allies and Axis powers developed soft power strategies that impacted on the material and symbolic development of Argentine cinema.

I specialize in 20th and 21st century Mexican and Latin American Film and Cultural Studies.

I am currently at work on a monograph, Starscapes: Youth, Modernity, and Media in Mexico, which traces the emotional and affective mediations of popular Mexican youth stars alongside processes of modernization and the changing media landscape in Mexico from 1950-1996.

I am also the co-editor of The Lost Cinema of Mexico, with Brian Price, a volume that redefines scholarly conversations on post-Golden Age Mexican film studies.