Spatial and Epistemic Displacements
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Uptown Campus
Jones Hall
100A Greenleaf Conference Room
PROGRAM RESCHEDULED DUE TO WEATHER:
Friday, January 24, 2025
9:00 a.m. - 12:00 p.m. | Roundtable 1 – Tradition and Innovation in African Diasporic Fluxes
- Respostas musicais aos projetos hidrelétricos no Rio São Francisco nos anos 1970 e 2020 (Daniel Sharp)
- Recife e a festa/baile “Noite Cubana”: cidades portuárias e suas contribuições para umas cosmopercepções em músicas para bailar na e da América Latina (Alice E. da Silva Alves)
- Race, Rhythm, and Maracatu Nação: The Erudite Compositions of César Guerra-Peixe and Zé Amaro Santos da Silva (Amy Katherine Medvick)
1:00 p.m. - 3:00 p.m. | Roundtable 2: Experimentalisms in perspective
- Brazilian Experimental Music: Definitions and Panorama (Eder Wilker Borges Pena)
- Damiano Cozzella: as várias faces de um músico inclassificável (Fernando de Oliveira Magre)
- “Tickling Traditions”: The Irreverent Experimentalism of Tom Zé (Christopher Dunn)
- Experimentalism, Tradition and Violence on Kiko Dinucci’s Guitar (Sheyla Castro Diniz)
3:30 p.m. - 6:00 p.m. | Roundtable 3: Portraying race in image and sound
- Geniuses in comparison: Pixinguinha, Louis Armstrong, and the poetics of authenticity (Rafael do Nascimento Cesar)
- Miss Suzanna: The Postmodern Lundu and Djavan’s dialogue with race politics in the United States (Geovane Paiva Santos)
- Música, afecto y temporalidades desarticuladas en Branco Sai, Preto Fica (2014) de Adirley Queirós (Irene Depetris Chauvin)
Sponsored by the Stone Center for Latin American Studies, the Department of Spanish and Portuguese, and the Newcomb Department of Music
