Antonio Daniel Gómez

Associate Professor - Spanish & Portuguese

School of Liberal Arts
Stone Center Departments
The Stone Center
People Classification
Faculty
Tulane Affiliation
Core Faculty
Region
  • South America
  • Southern Cone
Antonio Daniel Gómez

Additional Info

Recently-Taught Latin American-Related Courses:

Number of Dissertations or Theses Supervised in the Past 5 Years:

6

Research

Argentina, Cuba, Literature of Exile, Latin American Literature and Film

Degrees

  • B.A., Universidad Nacional de Cuyo, Literature, 2000
  • M.A., University of Pittsburgh, Latin American Literature, 2003
  • Ph.D., University of Pittsburgh, Hispanic Languages and Literatures, 2007

Academic Experience

Academic Experience
  • Associate Professor, Tulane University, 2014-
  • Assistant Professor, Tulane University, 2008-2014
  • Visiting Assistant Professor, Tulane University, 2007-2008
  • Assistant Professor, Universidad Nacional de Cuyo, 2006-2007
  • Visiting Professor, Universidad Nacional de Cuyo, 2006
  • Instructor, Universidad Nacional de Cuyo, 1998-2001

Distinctions

  • Lurcy Grant, School of Liberal Arts, Tulane University, 2016-2017
  • Excellence in Graduate Teaching Award, Tulane Graduate Studies Students Association, 2016
  • Carol S Levin Fund for Faculty Research Film Studies Program, Tulane University, 2014-2015
  • Glick Research Fellowship, School of Liberal Arts, Tulane University, 2014-2015
  • CELT Fellow, Tulane University, 2012-2013
  • COR Summer Fellowship, Tulane University, 2009
  • Andrew Mellon Dissertation Fellowship, 2005-2006
  • Teaching Fellowship, University of Pittsburgh, 2003-2005
  • Fulbright Scholarship, 2001-2003
  • Academia Argentina de Letras Award, 2000

Languages

  • Spanish
  • French
  • Portuguese

Overseas Experience

  • Argentina
  • Cuba

Related Experience

  • Director of Undergraduate Studies, Department of Spanish & Portuguese, Tulane University, 2012-

Selected Publications

  • 2016. “Distancia, afecto y razón: Entrenamiento elemental para actores de Federico León y Martín Rejtman.” Revista Iberoamericana. 257: 793-804.
  • 2016. “Displacing the ‘I’: Uses of the First Person in Recent Argentine Biographical Documentaries.” Edited by Lupe Arenillas and Michael Lazzara. Latin American Documentary Filmmaking in the New Millennium. New York: Palgrave. 63-77.
  • 2014. “First-Person Documentary and the New Political Subject: Enunciation, Recent History, and the Present in New Argentine Cinema.” Edited by Vinicius Navarro and Juan Carlos Rodríguez. New Documentaries in Latin America. New York: Palgrave. 45-58.
  • 2014. “Tango, Politics, and the Musical of Exile.” Edited by Marilyn Miller. Tango Lessons: Movement, Sound, Image, and Text in Contemporary Practice. Durham: Duke UP. 118-139.
  • 2013. Escribir el espacio ausente. Exilio y cultura nacional en Díaz, Wajsman y Bolaño. Santiago, Chile: Editorial Cuarto Propio.
  • 2013. “Argentine Multiculturalism and the Ethnographic Shift in Documentary Cinema: Martín Rejtman’s Copacabana.” Social Identities 19, 3-4: 340-350.
  • 2009. “Utilidad e inconvenientes de la escritura en colaboración para la vida (académica).” Brújula 7.1:142-145.
  • 2007. “Respiración artificial, novela ejemplar.” In Provisoria-mente: textos para Diamela Eltit. John Beverley, Diamela Eltit, et al, eds. Rosario: Beatriz Viterbo. 97-108.
  • 2007. “Cuarteles de invierno de Osvaldo Soriano: extraterritorialidad y ‘alegoría nacional’.” Latin American Essays. 20: 50-56.
  • 2006. “Jesús Díaz rewrites Cuban exile.” In Cuba: In Transition? Pathways to Renewal, Long-Term Development and Global Reintigration. Mauricio A. Font, ed. New York: Bildner Center for Western Hemisphere Studies, CUNY. 309-313.
  • 2006. “Más allá del ‘formato memoria’: la repostulación del imaginario postdictatorial en Los rubios de Albertina Carri.” With Verónica Garibotto. A contracorriente. 3 (2): 107-126.