Degrees

• B.A., Claremont McKenna College (Pomona College), Art History, 2003
• M.A., University College of London, History of Art, 2004
• Ph.D., Courtauld Institute of Art, History of Art, 2009

Academic Experience

• Assistant Professor, Tulane University, 2012-
• Lecturer and Postdoctoral Teaching Fellow, Columbia University, 2011-2012
• Visiting Lecturer, Courtauld Institute of Art, 2010
• Leibniz-Gemeinschaft Postdoctoral Fellow, Germanisches Nationalmuseum, Nuremberg and Courtauld Institute of Art, 2009-2010
• Visiting Lecturer, University College London, 2007-2008

Distinctions

• Tulane University, Provost’s Office, Carol Lavin Bernick Faculty Grant, 2017
• Tulane University, School of Liberal Arts, Lurcy Grant, 2017
• Sterling and Francine Clark Art Institute Fellowship, 2016/17
• Getty Foundation, University of California Los Angeles, Digital Art History Summer Institute participant, 2015
• Millard Meiss Publication Award, College Art Association, 2014
• Mellon Postdoctoral Teaching Fellow, Columbia University, 2011-2012
• Leibniz-Gemeinschaft Postdoctoral Fellow, Germanisches Nationalmuseum, Nuremberg and Courtauld Institute of Art, 2009/10
• British Academy Small Research Grant, 2010
• Visiting Fellowship, Harvard University, 2007/2008
• Overseas Research Students Award Recipient, 2005-2009

Languages

• German
• Dutch
• French
• Spanish

Overseas Experience

• England
• Germany

Related Experience

• Print Room Assistant, Courtauld Institute of Art Gallery, 2005-2007, 2008-2009

Selected Publications

• 2016. “St. Michael the Archangel: Spiritual, visual and material translations from Antwerp to Lima,” in E. Wouk and S. Karr-Schmidt, Prints in Translation, 1450-1750: Image, Materiality, Space 183-202. Burlington, VT: Ashgate .
• 2016. “Going viral? Maerten de Vos’s St Michael the Archangel,” Nederlands Kunsthistorisch Jaarboek 66: 54-78.
• 2014. “Copies, cannibals and conquerors: Maarten de Vos’s The Big Fish eat the Small,” Nederlands Kunsthistorisch Jaarboek 64: 248-71.
• 2013. “Dürer’s Copies.” In The Young Dürer: Drawing the Figure, ed. Stephanie Buck and Stephanie Porras. London: Courtauld Institute of Art exhibition catalogue.
• 2012. “ein freie hant: Drawing, autonomy and the young Albrecht Dürer,” in Der frühe Dürer. (Nuremberg: Germanisches Nationalmuseum exhibition catalogue).
• 2011. “Rural Memory, Pagan Idolatry: Pieter Bruegel’s Peasant Shrines,” Art History 34.3
• 2011. “Producing the Vernacular: Antwerp, Cultural Archaeology and the Bruegelian Peasant,” Journal of the Historians of Netherlandish Art 3.1

Recently-Taught Latin America-Related Courses: 

• ARHS 3410: Theaters of the Baroque