Tulane University
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- (1) Transnational Governance
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- (1) Gender Violence
- (1) Social Justicecore Faculty
- (1) Us
- (1) Maternal Health
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- (1) Gran Fiesta
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The Latin American Library Announces the 2018-2019 Richard E. Greenleaf Scholars
January 15th, 2019
The Latin American Library is proud to announce the recipients of the 2018-2019 Richard E Greenleaf Fellowships. All four scholars will arrive during the spring semester for a two-month stay and will present a work-in-progress talk.
Gina Ruz Rojas
Universidad Tecnológica de Bolívar, Colombia
Fellowship Dates: February 1-March 31, 2019
Project and Work-in-Progress Talk
March 21, 2019
3:00 PM – 5:00 PM
The Latin American Library Seminar Room
Cartagena de Indias and the Greater Caribbean: Carnivals and Independence Festivities/Cartagena de Indias y el Gran Caribe: Carnavales y Fiestas de Independencia
Since 1812, the Colombian Caribbean city of Cartagena de Indias has celebrated its independence from Spain with local Fiestas de independencia, a festival that coexisted for many decades with carnival traditions stemming from the colonial period. These carnival celebrations derived from Afro-Colombian and native traditions and practices, as occurred in the rest of the Caribbean. Since the mid-twentieth century, independence festivities in Cartagena have excluded more overt carnival traditions, although some aspects live on. In the last 15 years, a number of civic and research groups in Cartagena have explored ways of reaffirming the popular nature of its festival traditions and strengthening the city’s ties to the Greater Caribbean community. My research will identify nuances, hybridizations, traces of contributions and traditions, and modes of communication between carnivals of the Caribbean and of its manifestations in Cartagena through a comparative analysis.
Cartagena de Indias, en el Caribe colombiano, celebra desde 1812 sus Fiestas de Independencia, una efemérides republicana, heredera de manifestaciones del desaparecido carnaval colonial con el que coexistió durante décadas. En el marco de un proceso ciudadano de revitalización festiva y reivindicación de la celebración popular que cumple tres lustros, surge la necesidad de seguir profundizando sobre la pertenencia de Colombia al Caribe y la relación de Cartagena con el Gran Caribe. La investigación se enfocará en identificar matices, hibridaciones, huellas de aportes y tradiciones, y vasos comunicantes entre carnavales del Caribe y el carnaval y la fiesta republicana de Cartagena de Indias, a través de un análisis documental comparado entre diversas experiencias.
Biography
Gina Ruz Rojas is a professor and research associate at the Research and Innovation Laboratory in Culture and Development L + iD of Universidad Tecnológica de Bolívar in Cartagena de Indias, Colombia. She holds a Law degree from Universidad de Cartagena and a Master‘s degree in Development and Culture from Universidad Tecnológica de Bolívar. She has spearheaded various projects promoting culture and the arts and is the author of several articles on festivals and culture, including “Fiestas de Independencia: El tambor que no calla,‘ in Los desterrados del paraíso; Raza, pobreza y cultura en Cartagena de Indias (2015) and “Cartagena: reinas, fiesta e independencia,” in La Fiesta en Colombia (2017). She also co-authored a study, “Las Fiestas de Independencia de Cartagena como patrimonio cultural inmaterial de la Nación colombiana,” which is part of a dossier presented to the Colombian Ministry of Culture to include Cartagena’s Fiestas de la Independencia as Intangible Cultural Heritage of the Nation (2016).
Gina Ruz Rojas es Abogada de la Universidad de Cartagena, y Magister en Desarrollo y Cultura de la Universidad Tecnológica de Bolívar. Es docente universitaria e investigadora asociada del Laboratorio de Investigación e Innovación en Cultura y Desarrollo L+iD de la Universidad Tecnológica de Bolívar. Ha ejercido, además, como gestora cultural a cargo de varios proyectos culturales en Cartagena.
Ha publicado “Fiestas de Independencia: el tambor que no calla,” en Los desterrados del paraíso: raza, pobreza y cultura en Cartagena de Indias (2015); “Cartagena: reinas, fiesta e independencia,” en La Fiesta en Colombia (2017). Es coautora de ‘Las Fiestas de Independencia de Cartagena como patrimonio cultural inmaterial de la Nación colombiana,‘ documento base para la postulación de las Fiestas de Independencia a la Lista Representativa de Patrimonio Cultural Inmaterial de la Nación (2016).
Juan Carrillo González
Independent Scholar, Mexico
Fellowship Dates: March 1-April 30, 2019
Project
A Glimpse of the Voices of the Past: Historical Ethnography of the Maya of Alta Verapaz, Guatemala (1880-1920)/ Atisbar las voces del pasado: Etnografía histórica de los pueblos mayas en la Alta Verapaz, Guatemala (1880-1920).
This research centers on clarifying the avatars that indigenous society faced during the formation of the nation-state and the emergence of the phenomenon of land dispossession that led to the territorial fragmentation of Alta Verapaz after the introduction of coffee plantations. It considers, at the same time, the process of material and immaterial reconstitution that allowed the Maya to preserve the primordial substrate of their ancient traditions between the end of the nineteenth and the beginning of the twentieth century.
La investigación se centra en esclarecer los avatares que la sociedad indígena enfrentó en el contexto de la conformación del Estado-nación y el surgimiento del fenómeno de expoliación que propició la fragmentación territorial de la Alta Verapaz a partir de la introducción de fincas cafetaleras. Considera, de igual manera, el proceso de reconstitución material e inmaterial que le permitió a los mayas preservar el sustrato primordial de su antigua tradición entre las postrimerías del siglo XIX y los albores de la centuria ulterior.
Biography
Juan Carrillo González received his doctorate from Centro de Investigaciones y Estudios Superiores en Antropología Social (CIESAS) in Mexico. His research includes diverse themes that articulate rituality, cosmovision, ethnic processes of resistance, and musical practices of the colonial Maya of the Yucatan Peninsula and Central America. He has published in specialized journals in Mexico, the United States, France, Germany, Colombia, and Guatemala. On two occasions he has won the Francisco Javier Clavijero Award for History and Ethnohistory from the National Institute of Anthropology and History (INAH) in Mexico, as well as Honorable Mention for the Jan de Vos Award for his research concerning the south-southeastern regions of Mexico and Guatemala.
Juan Carrillo González obtuvo su doctorado del Centro de Investigaciones y Estudios Superiores en Antropología Social (CIESAS) de México. Su investigación abarca temas que articulan las prácticas rituales, la cosmovisión, los procesos de resistencia étnica y las prácticas musicales de los Maya en la península de Yucatán y en Centroamérica durante el período colonial. Ha publicado artículos en revistas especializadas en Estados Unidos, Francia, Alemania, Colombia y Guatemala. En dos ocasiones ha sido recipiente del Premio Francisco Javier Clavijero de Historia y Etnohistoria del Instituto Nacional de Antropología e Historia (INAH) en México, y también Mención de Honor para el Premio Jan de Vos por sus investigaciones sobre las regiones sur y sureste de México y Guatemala.
Juan Camilo Rojas
Independent Scholar, Colombia
Fellowship Dates: March 1-April 30, 2019
Project
“El predicador ha de saber pintar, pero no parecer pintor”: Retórica e imagen en el Arte de sermones (1677) de Fray Martín de Velasco/ “The Preacher Must Know How to Paint, But Not Appear to Be a Painter”: Rhetoric and Image in the Arte the sermones (1677) by Fray Martín de Velasco.
Arte de sermones (The Art of Preaching) was written by Martin de Velasco, a Franciscan friar from the New Kingdom of Granada (present-day Colombia). It was published first in Cádiz, Spain in 1677 and later in Mexico City in 1728. This book was widely used by several religious orders in Spanish America to teach clergymen how to compose and preach sermons. Following the classical rhetorical tradition, de Velasco established a connection between rhetoric and image, hoping that parishioners who listened to the sermons would form mental images‘“frequently exemplified in paintings‘“to be persuaded of religious and political values. This project will study this connection between rhetoric and image and the influence of this book on sermons published in New Spain that the Latin American Library at Tulane University preserves in its Rare Books Collection.
El Arte de sermones, del franciscano neogranadino Fray Martín de Velasco, fue publicado en dos ocasiones, primero en 1677 en Cádiz y posteriormente en la Ciudad de México en 1728. Este libro fue utilizado al interior de las distintas órdenes religiosas en Hispanoamérica para enseñar a los regulares cómo componer y predicar sermones. Siguiendo la tradición clásica de la retórica, de Velasco estableció una relación entre retórica e imagen, esperando que los feligreses que escucharan los sermones se formaran imágenes mentales – frecuentemente ejemplificadas con pinturas – que los persuadieran de ciertos valores religiosos y políticos. El proyecto propone estudiar dicha relación entre retórica e imagen y la apropiación de la obra a partir de la colección de sermones novohispanos de la Biblioteca Latinoamericana de Tulane University.
Biography
Juan Camilo Rojas is an independent scholar whose work centers on the cultural and intellectual history of the New Kingdom of Granada from the 16th to the 18th centuries. He earned a B.A. in History from the Universidad Nacional de Colombia and an M.A. in History from Universidad de Los Andes (Bogotá), where he was awarded the Germán Colmenares Scholarship. He is the author of articles on the cultural history of images published in journals, books, and exhibition catalogues. He is also the author of Pintura alegórica y diferenciación social: los techos artesonados de Tunja en el siglo XVII (Bogotá: ICANH, 2017). This publication is a recognition of his work as the best M.A. thesis on colonial history in Colombia in 2016, by the Instituto Colombiano de Antropología e Historia (ICANH).
Juan Camilo Rojas es un investigador independiente enfocado en la historia cultural e intelectual del Nuevo Reino de Granada entre los siglos XVI al XVIII. Obtuvo su título de Pregrado en Historia de la Universidad Nacional de Colombia y de Maestría en Historia de la Universidad de los Andes, donde ganó la Beca Germán Colmenares. Es autor de Pintura alegórica y diferenciación social: los techos artesonados de Tunja en el siglo XVII (Bogotá: ICANH, 2017), publicado como un reconocimiento al mejor trabajo de grado en historia colonial por el Instituto Colombiano de Antropología e Historia (ICANH), y otros artículos sobre la historia cultural de las imágenes publicados en revistas, libros y catálogos de exhibición.
Lirio Gutiérrez Rivera
Universidad Nacional de Colombia, Sede Medellin
Dates of Fellowship: April 1-May 31, 2019
Project
Gendered Forms of Violence in Central American Migration: The Case of Female Asylum Seekers from Honduras/ La violencia de género en la migración centroamericana: El caso de mujeres hondureñas solicitando asilo
A growing number Central American women flee and seek protection abroad due to intensifying violence. Anthropologists and sociologists of Central American migration have focused on the journey to the U.S. and the difficulties of obtaining asylum, while overlooking gendered forms of violence linked to female migration. Through the examination of written declarations of Honduran women seeking asylum in the U.S. and interviews with immigration attorneys and NGO staff working on internal displacement in Honduras, this research investigates how global policies of crime and migration control produce gendered forms of violence in Honduras and the link between gender-based violence and migration.
En los últimos años, ha aumentado el número de mujeres centroamericanas huyendo y buscando protección en el exterior debido a la intensificación de la violencia. Antropólogos y sociólogos de la migración centroamericana han estudiado el viaje de los migrantes hacia Estados Unidos, así como las dificultades de obtener asilo, al tiempo que pasan por alto las distintas formas de violencia de género que están conectadas con la migración de mujeres. Mediante el análisis de declaraciones escritas de mujeres hondureñas solicitando asilo en Estados Unidos, entrevistas a abogados de migración y personal de ONGs trabajando el tema de desplazamiento interno en Honduras, este estudio investiga cómo las políticas de control y migración global producen distintas formas de violencia de género en Honduras, así como el vínculo entre la violencia de género y migración.
Biography
Lirio Gutiérrez Rivera is an Assistant Professor in the Department of Political Science, Universidad Nacional de Colombia-Medellín. She studied Political Science at Freie Universität Berlin and Anthropology at Universidad de Los Andes in Bogotá. Her research investigates urban violence, contemporary prisons, youth gangs, social mobility, and state responses to crime and violence in Latin America, particularly Honduras and Colombia. She is currently working on two research projects: the first explores gender and urban planning in Medellin, Colombia; the second is based on her work as an expert witness for Central Americans seeking asylum in the U.S. The latter explores the connections between different forms of violence experienced by women and contemporary migration in Central America. Her book, Territories of Violence: State, Marginal Youth, and Public Security, was published in 2013 with Palgrave.
Lirio Gutiérrez Rivera es profesora asistente del Departamento de Ciencia Política de la Universidad Nacional de Colombia (Sede Medellín). Estudió ciencia política en la Freie Universität Berlin y antropología en la Universidad de los Andes-Colombia. Sus investigaciones incluyen violencia urbana, las prisiones contemporáneas, pandillas y maras, movilidad social y respuestas del estado frente a la violencia en crimen en América Latina, en particular en Honduras y Colombia. Actualmente, ella está trabajando en dos investigaciones: una explora el género y la planeación urbana en Medellín, Colombia; la otra se basa en su trabajo como testigo experta para centroamericanos solicitando asilo en Estados Unidos. Esta última investiga la conexión entre las diferentes formas de violencia vividas por mujeres migrantes de Centro América. Lirio es autora del libro, Territories of Violence: State, Marginal Youth, and Public Security, publicado en 2013 por Palgrave.
The Richard E. Greenleaf Fellowship Program at the Latin American Library is made possible by a generous gift from the late Richard E. Greenleaf.
About Richard E. Greenleaf (1930-2011)
Until his retirement in 1998, Richard E. Greenleaf served as the France Vinton Scholes Professor of Colonial Latin American History, and as the Director of the Center for Latin American Studies at Tulane University. He also served as Chair of the Department of History. Dr. Greenleaf grew up in Albuquerque, New Mexico, and took his Bachelors, Masters and Doctoral degrees at the University of New Mexico, where he studied under the dean of Inquisition scholars, France V. Scholes. Greenleaf’s doctoral dissertation, “Zumárraga and the Mexican Inquisition 1536-1543,” served as the basis for his many excellent publications on the history of the Holy Office of the Inquisition in Latin America. Greenleaf authored eleven major scholarly books, co-authored or contributed to seventeen others, and published almost four dozen articles in the field of Latin American and New Mexico history. He was the recipient of many distinguished awards, among them the Silver Medal, the Sahagún Prize (Mexican National History Award), and the Serra Award of the Academy of American Franciscan History for Distinguished Scholarship in Colonial Latin American History. In his long and distinguished teaching career in New Mexico, Mexico City and New Orleans, Greenleaf served as mentor to 34 doctoral students at Tulane, and countless masters and undergraduate students. Richard E. Greenleaf died on November 8, 2011.
General Latin America + People
Nora Lustig

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