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Summer in Brazil 2014: Portuguese Language & Culture
São Paulo | June 22 – August 1, 2014
Imagine yourself studying in the country hosting the 2014 FIFA World Cup! The Stone Center for Latin American Studies invites undergraduates and graduate students interested in Portuguese language and Brazilian studies to participate in the Summer in Brazil program in 2014. São Paulo, the largest metropolis in South America, is an exciting center for fine arts, theater, music and cultural life. This city is a medley of Brazilians from the country’s 26 states and from multiple ethnic groups, which makes for an exciting mix of traditions and fabulous food on every street.
The intensive academic program is organized by collaborations among Tulane, Vanderbilt, and Emory universities, as well as with the Pontifícia Universidade Católica de São Paulo (PUC-SP). Students have the opportunity to earn 6-7 credits and will take one Portuguese language course (two levels) and a Brazilian culture course taught by PUC-SP and Tulane faculty. Students will stay with host families in São Paulo for a total Portuguese immersion experience.
- PORT 6130 (required; 3 credits): Brazilian Cultural Imaginaries, will focus on history, cultural practices, and social formations of metropolitan São Paulo, and will introduce students to key political and economic developments that have influenced contemporary society.
- PORT 2030 (4 credits): Intensive Intermediate Portuguese reviews fundamental skills of the Portuguese language and introduces Brazilian literature and culture through plays, short stories, and film.
- PORT 3040 (3 credits): Grammar and Writing in Portuguese will involve analysis and practice in the written language and is taught by PUC-SP faculty.
The 2014 program cost of the six-week program is $6,700:
- $5,000 for tuition
- $1,700 housing, meals, and activities
The program cost includes 6-7 Tulane credits (transferable to other universities), Brazilian family home stays, one meal per day, medical insurance, and specialized group tours and activities. Airfare, incidental costs, registration fee with Federal Police of Brazil (approximately $120.00), and extra meals and expenses are not included in the program cost.
Scholarships: This program qualifies as a FLAS-approved program with 140 contact hours of language instruction. For more information on application procedures, eligible students interested in applying should visit the following:
Graduate students, click here. (scroll down to “FLAS Summer Fellowships”)
Undergraduates, click here.
The FLAS Fellowship application deadline is February 21, 2014. Note that the fellowship application and the program application are separate applications.
Student applicants must be in good academic standing and have at least a current cumulative grade point average of 2.5. The pre-requisite for this program is to have completed one Tulane Portuguese language course; non-Tulane students are required to have completed two outside-institution Portuguese language courses. Non-Tulane students are welcome to apply, but should confirm with their home university that their credits will transfer.
Complete applications (application form, copy of transcript, and two recommendations) and a $300 non-refundable deposit are due by 5:00 p.m. on February 21, 2014.
Click here to download the 2014 application.
THE APPLICATION PERIOD FOR THE 2014 PROGRAM IS NOW CLOSED.
For questions, contact Laura Wise at 504.862.8629, or at firstname.lastname@example.org.
Download a printable flyer for this program here.
View photos from Brazil 2012 here!
LATEST SITE UPDATES
- Guantánamo Post-9/11: Human Rights & Constitutional Law in Modern America
- Guantánamo Public Memory Project
- Performance by Afro-Cuban band Sintesis
- Day of the Dead at the Ogden!
- Celebración Latina
- The Guantánamo Public Memory Project
- 5th Annual South Central Conference on Mesoamerica
- MARI Brown Bag: Marcello Canuto, "The Tombs of La Corona: La Noblesse Oblige"
- Noon-Time Talk on Behind Closed Doors, Art in the Spanish American Home, 1492-1898 with Lucia Abramovic
- Mining, Privilege, and Artistic Production in the Colonial Andes: Short Film and Roundtable Discussion
- Footprints in Time. 5 Generations of Mexican Artists at the Parota
- Mariano Bertucci
- Don Leonard
- Alexander Standen
- Maile Speakman
- Alexandra Santana
- Julia O'Keefe
- Abigail Nixon
- Shauna Lewis
- Elizabeth Haughey
- Caitlin Geronimo
- Leanna First-Arai
- Jimena Codina
Noon-Time Talk on Behind Closed Doors, Art in the Spanish American Home, 1492-1898 with Lucia Abramovic
Join Lucia Abramovich, NOMA's curatorial fellow for Spanish colonial art for a Noontime Talk on the exhibition Behind Closed Doors, Art in the Spanish American Home, 1492-1898.
Noontime Talks are brief, informative discussions on exhibitions and installations in NOMA's galleries. Wednesdays are free admission days for Louisiana residents. Please visit the NOMA website for more information.
MARI Brown Bag: Marcello Canuto, "The Tombs of La Corona: La Noblesse Oblige"
Marcello Canuto, Director of the Middle American Research Institute at Tulane University, will present about his recent investigations at La Corona. The talk will focus on tombs discovered during the 2014 field season and the information these tombs provides about the broader socio-political relationships at La Corona.
M.A.R.I.'s Brown Bag talk series is meant to provide a venue for students and faculty focusing on topics related to Mesoamerica to discuss their latest research in an informal and friendly setting. If you are interested in presenting, please email Marcello Canuto (email@example.com) for more information. For the current speaker list of this talk series, please click here.
Please remember to bring your lunch!
Mining, Privilege, and Artistic Production in the Colonial Andes: Short Film and Roundtable Discussion
This program includes a screening of Harun Farocki's film The Silver and the Cross (20 min), which examines a 1758 painting by Gaspar Miguel de Berrío that depicts the city and the surrounding silver mines of Potosí, Bolivia. A roundtable discussion featuring three local scholars of Colonial Latin America will follow the film. The discussion will employ the film's description of colonial Potosí as an anchor for a broader discussion about colonial Andean economics, history, and art, particularly as it relates to Behind Closed Doors: Art in the Spanish American Home, 1492-1898.
The goal of this event is to better understand the mechanisms that created the level of wealth exhibited in Behind Closed Doors, and to shed light on an often overlooked city that was essential to the economic success of Spanish America for hundreds of years.
The roundtable discussants are Dr. Kris Lane, the France V. Scholes Professor of Colonial Latin American History, Department of History, Tulane University; Dr. John Charles, Associate Professor of Colonial Spanish American Literature and Director of Graduate Studies, Spanish and Portuguese Department, Tulane University; and Dr. Ari Zighelboim, Lecturer, Spanish and Portuguese Department, Tulane University. Lucia Abramovich, NOMA's Curatorial Fellow for Spanish Colonial Art, will moderate the discussion.
About Dr. Kris Lane
Kris Lane holds the France V. Scholes Chair in Colonial Latin American History at Tulane University. His books include Quito 1599: City & Colony in Transition, Colour of Paradise: The Emerald in the Age of Gunpowder Empires, and Pillaging the Empire: Piracy in the Americas, 1500-1750. He is currently writing a history of the great Potosí mint scandal of 1649, along with an annotated translation of early writings on Potosí.
About Dr. John Charles
John Charles is Associate Professor in the Department of Spanish and Portuguese at Tulane University. He is the author of numerous articles on colonial Andean literature and history, and the book Allies at Odds: The Andean Church and Its Indigenous Agents, 1583-1671 (University of New Mexico Press, 2010).
About Dr. Ari Zighelboim
Ari Zighelboim (Lima, 1960) studied in Peru, Israel and the United States, graduating with a Bachelor's degree in history and East Asian studies, an MA in cultural anthropology and a PhD in Spanish and Latin American literature. His masters paper dealt with scenes of human sacrifice on mountains in Moche iconography, and his PhD thesis with the surviving Inca nobility during the colonial period in Peru and its cultural and social strategies. He has written about Ruben Dario, Juan de Espinosa Medrano, the drama in Quechua Ollantay, Potosí and other topics. He has also published a volume of poetry. He is now senior lecturer in the department of Spanish and Portuguese at Tulane university.
Reimagining Race, Class, and Identity in the New World
Assistant Professor Mia Bagneris will lecture on "Reimagining Race, Class, and Identity in the New World," on Friday, September 12 at 6pm at the New Orleans Museum of Art. The lecture will be held in conjunction with the exhibit, Behind Closed Doors: Art in the Spanish American Home, 1492-1898.
Professor Bagneris teaches African American/Diaspora art history and studies of race in Western Art. Her own work concentrates on the construction of race in British and American art and visual culture of the eighteenth and nineteenth centuries.
Performance by Afro-Cuban band Sintesis
The Cuban and Caribbean Institute presents: Sintesis
Afro-Cuban group Sintesis, founded in 1974 by Carlos Alfonso Valdes, is one of Cuba's musical emblems. The contemporary band has elements of ethno-fusion rhythms mixed with a core of jazz and rock and roll. In the 1980's, Sintesis grew in popularity, and by mid-late decade, the band was a staple of world music festivals. In 1989, they released their first album "Ancestros," and since then have released many more. Their album "Habana a Flor de Piel" was nominated for a Latin Grammy Award in the category of Best Contemporary Tropical Album in 2002.
All are welcome to attend.
Guantánamo Post-9/11: Human Rights & Constitutional Law in Modern America
Guantánamo Post-9/11: Human Rights & Constitutional Law in Modern America
Jess Bravin: Wall Street Journal, author of Terror Courts: Rough Justice at Guantánamo Bay
Denny Leboeuf: ACLU, Tulane JD
Chaplain James Yee: Former U.S. Army Chaplain, author of For God and Country: Faith and Patriotism Under Fire
The Guantánamo Public Memory Project is a traveling exhibit that examines the history of the U.S. naval base in Guantánamo Bay, Cuba, from multiple perspectives and raises questions about U.S.-Cuban relations, civil liberties, national security, and public memory in the past, present, and future. The guest speakers will be giving a talk on the titled event. All are welcome to attend.
For more information about the Guantánamo Public Memory Project, visit http://gitmomemory.org.