Roger Thayer Stone Center For Latin American Studies

Tulane University

Academic Programs

The concentration system serves to focus the coursework of Latin American Studies majors and minors in one of the interdisciplinary themes that are the foundation of the Latin American Studies programs at Tulane. Working with the Stone Center’s Director of Undergraduate Affairs students assign the most appropriate concentration to their individual course of study. Seniors submit a formal description of their major including their concentration and core coursework in the Latin American Studies capstone class LAST 4000. The eight concentrations are:

  • Creativity
  • Encounter
  • Exchange
  • Identity
  • Land
  • Nation
  • People
  • Welfare

Sample Courses

Note that these lists are not comprehensive and do not account for all of the courses offered in each department nor those that might be offered as special topics in the departments or Latin American Studies. Courses taken abroad and on Tulane summer programs can also count toward the concentrations.

Creativity:

  • SPAN 4110: Latin American Literature
  • ARHS 3860: Arts of the African Diaspora
  • LAST 6960: Ind. & Peasant Movements
  • MUSC 3300: Music Cult of the World
  • DANC 1920: Brazilian Dance: Samba
  • COMM 4190: Latin American Film

Encounter:

  • ARHS 3860: Arts of the African Diaspora
  • SOCI 6950: Sociology of Migration
  • EEOB 3180: Plants and Human Affairs
  • ANTH 3700: Ecological Anthropology
  • INDV 4100: Info Tech and International Devt
  • ARHS 6730: Seminar in Maya Manuscripts

Exchange:

  • MKTG 4650: Global Marketing
  • ECON 3590: Economic Devt of Latin America
  • HISL 6850: US-Latin American Relations
  • SOCI 6950: Sociology of Migration
  • SPAN 6220: Colonial Latin American Literature
  • EEOB 3180: Plants and Human Affairs

Identity:

  • ARHS 3860: Arts of the African Diaspora
  • LAST 3950: Performing the Caribbean
  • COMM 4810: Media and Democracy in Latin America
  • LAST 6950: Nat’l Sentiment and the Performing Arts
  • MUSC 3300: Music Cultures of the World
  • ANTH 6060: South American Indians

Land:

  • ANTH 3700: Ecological Anthropology
  • EEOB 3180: Plants and Human Affairs
  • INDV 6100: Environment and Development
  • SPAN 4510: Hispanic Cities
  • HISE 6330: Imperial Spain: 1469-1659
  • HTEL 4250: Cult in the Public Sphere

Nation:

  • POLC 3350: Central American Governments
  • LAST 6950: Nat’l Sentiment and the Perf. Arts
  • HISL 3960: Andean Rebellions
  • HISL 3950: Inventing Argentina
  • POLC 3410: Politics and Nationalism
  • PORT 6160: Afro-Brazil

Peoples:

  • SPAN 6850: Women Authors of Latin America
  • SOCI 2490: Latin American Social Structures
  • ECON3580: Labor and Pop of Latin America
  • POLC 3350: Central American Governments
  • ANTH 6830: Aztec and Maya Literature
  • MUSC 3300: Music Cultures of the World

Welfare:

  • SOCI 2490: Latin Am Social Structures
  • ECON3580: Labor and Pop of Latin America
  • *INHL 6830: Intl Health Policy
  • HISL 3780: Women in Latin Am History
  • POLS 3010: Poverty and Development
  • EEOB 3180: Plants and Human Affairs

*non LAS course; see the college SPC restrictions

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Upcoming Events

5th Annual South Central Conference on Mesoamerica

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5th Annual South-Central Conference on Mesoamerica is a conference which provides a venue for scholars, students, and the interested public from across the south-central U.S. to share ideas, information, and interpretations. The conference is free and open to the public, and we hope you will join us. Although the conference is free, if you plan to attend please register so we have an idea of how many people will attend.

The conference will be held October 24-26th on Tulane’s Campus.

Please visit the conference website for more information and be sure to check back for updates in the near future!

"Oye Tu: A Reading of Fiction About Cubans" a talk by Cecilia Rodriguez Milanes

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The lecture title is "Oye Tú: A Reading of Fiction about Cubans." The talk is open to the public as well as the Tulane community. The lecture, which will discuss the Cuban diaspora in the United States, was timed to coincide with the general interest that the Guantánamo Public Memory Project:, currently at Tulane, has generated. The time and location has been confirmed for Tuesday, October 28, 12:30-1:30 p.m. at the Greenleaf Conference Room, Jones Hall 100A. Refreshments will be provided.

Social and Environmental Safeguards, Policies and Practices in International Development: Discussion with Carlos Pérez-Brito

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Currently a social specialist from the Inter-American Development Bank (IDB), Carlos Pérez-Brito is responsible for managing social and environmental safeguards in the public and private sectors projects. Before joining the IDB, Mr. Pérez-Brito was a human development specialist for the World Bank and USAID. He has a bachelor degree from Loyola University, New Orleans and a Masters in Latin American Studies from Tulane University with emphasis in international development. He was also a visiting scholar for the United Nations Economic Commission for Latin America and the Caribbean (ECLAC).

Mr. Pérez-Brito’s talk will describe the evolving practice of using social and environmental review criteria as conditions for bank-related projects.

Co-Sponsored with the Tulane Center for Inter-American Policy and Research (CIPR).

Event flyer can be found here.

Day of the Dead at the Ogden!

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Celebrate Día de los muertos at the Ogden! As part of the Ogden's After Hours Ruemba Buena will perform. Specializing in salsa and meringue, this band is made up of musicians who, pre-Katrina, played in groups like Los Babies and Los Sagitarios. It's the brainchild of percussionist Johnny Marcia. Kids craft table will feature Day of the Dead activities and delicious food will be available.

For more information please contact Jane Marie Dawkins, 504.539.9650, music@ogdenmuseum.org.

Sponsored by Tulane’s Stone Center for Latin American Studies, the Ogden Museum of Southern Art, and the Consulate of Mexico in New Orleans.

The Guantánamo Public Memory Project

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The Guantánamo Public Memory Project is a traveling exhibit that examines the history of the U.S. naval base in Guantánamo Bay, Cuba, from multiple perspectives and raises questions about U.S.-Cuban relations, civil liberties, national security, and public memory in the past, present, and future.

For more information about the Guantánamo Public Memory Project, visit http://gitmomemory.org.

The exhibit will run from September 2nd to October 30th. All are welcome to stop by and see the exhibit during open hours of Jones Hall, or during one of the special events of the exhibit (to be posted).

Shooting from the Hip: Mexico

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The Consulate of Mexico in New Orleans is pleased to partner with the satellite program P.3+ of the biennial Prospect New Orleans to present the photographic exhibition of artist Michael Alford "Shooting From The Hip: Mexico" from October 2nd to October 30th, 2014.

An opening reception will be held October 2nd at 6 PM.

Michael Alford is a multidisciplinary Conceptual artist. His work ranges from documentary photography, large scale public sculpture to Land Art. "My work often explores and challenges the conventional ideas of Art and what can be used to create it." Michael spent the first half of his life as a member of the U.S. Armed Forces Special Operations. He earned his B.F.A. from Baylor University while on active duty and recently an M.F.A from Louisiana State University. The artwork of artist Michael Alford has been exhibited and found in several corporate, private, national and international collections.

In his artist statement Michael Alford explains: "On a recent trip to Mexico City, I decided to take a different approach. In a more Conceptual attitude, a plan was formulated and the project began. The images would be captured in a more "street/gorilla" fashion. My camera was concealed in a shoulder bag and images were taken using a remote control. The images would not be manipulated post process and presented as such. I did however; use different lenses and filters according to lighting or weather conditions. What you see is what I got. I did not attempt to take or make a perfect photograph. For this project, I worked intuitively with the camera yet allowed the camera to find its own composition. These images represent a real, raw and non-manipulated moment in time. It is a unique flash of life that can't and won't ever be replicated. More than 200 images were captured but these are some of my favorites."