| The Latin American Film
Series is a free preview of films and documentaries related to Latin
America chosen and hosted by our graduate student body. The film
series take place every Tuesday night at 7pm in the Greenleaf
Conference room located in the Stone Center, 100 Jones Hall.
This event is open to the public.
Please join us each week for our featured film or documentary hosted
by Latin American Studies and the Stone Center.
January 21:
Aguirre, Wrath of God (Germany, 1973) This film is based on the
1650-51 expedition of Spanish conquistador Gonzalo Pizarro through
the impenetrable jungles of Peru. As a last-ditch effort to locate
treasure, Pizarro orders a party to scout ahead for signs of El
Dorado. In command are a trio of nobles including Aguirre who,
crazed with greed and power, takes over the enterprise, slaughtering
any that oppose him. Aguirre, Wrath of God, was based on the
real-life journals of Brother Gaspar de Carvajal. Directed by:
Werner Herzog; 95 minutes. German w/English subtitles. Presented by:
Ludovico Feoli
January 28:
La Ultima Cena (Cuba, 1976)
Based on an incident from 18th-century Cuban history: a pious slave
holder decides to improve his soul and instruct his slaves in
Christianity by inviting them to participate in a somewhat
gluttonous reenactment of last supper. Directed by Tomas Gutierrez
Alea; 110 minutes. Spanish w/English subtitles. Presented by:
Michelle Nasser
February 4:
Como Agua Para Chocolate (Mexico, 1992) Based on the novel by
Laura Esquivel, this magical realist film is set during the Mexican
Revolution. It is the story of a girl whose emotions directly
influence her cooking. Themes of forbidden love, family duty, the
politics of revolution and even madness dominate this visually
pleasing movie. Directed by Alfonso Arau; 105 minutes. Spanish
w/English subtitles. Presented by: Casey Love
February 11:
La Boca del Lobo (Peru, 1988) This film depicts the violent
struggle between the Peruvian military and the Shining Path
guerrillas, focusing on the peasants that are caught in the middle
of abuse from both sides. The story is based on true incidents that
took place in the mountain town of Chuspi between 1980 and 1983,
where a small unit of soldiers was garrisoned to defend the town
from attack by the Shining Path. Directed by: Francisco Lombardi;
100 minutes. Spanish w/English subtitles. Presented by: Cynthia
Garza
February 18: Brazil:
Report on Torture (Brazil, 1971) Former Brazilian
political prisoners who are released to Chile during Salvador
Allende's presidency reenact the daily methods of torture inflicted
upon them by the military government's political police. . This
documentary film contains violence that may not be suitable for all
audiences. Directors: Saul Landau and Haskell Wexler; 60 minutes.
English. Presented by: Maureen Long
March 11:
Men With Guns (U.S., 1998) This film tells the story of Dr.
Fuentes who is in search of seven medical students he trained to
work in impoverished nations. But early in his odyssey he begins to
suspect that men with guns go there first, and with every step he is
confronted by bloody realities he had long ignored. Now, his is an
almost desperate quest, for a mythical village deep in the
mountains. Writer/Director: John Sayles; 128 minutes.
English/Spanish with English subtitles. Presented by: Jimmy Huck
March 18: Frida
(Mexico, 2002) Starting and ending with Frida Kahlo on her deathbed,
the film spans the famous painter's life from her teenage years to
her death at the young age of 47. From start to finish, Frida is
portrayed as a relentlessly energized, self-righteous, headstrong,
assertive woman. While Frida's life is the main focus, her work is
always present as is her tumultuous relationship with Diego Rivera.
However, the film only hints at the recognition and worldwide
display that her painting received after her death. Director: Julie
Taymor. English. Presented by: Maria Gaztambide
March 25:
Medellín Notebooks (Colombia, 1998) This documentary depicts
a Medellín made famous by the cocaine cartels: home to chronic
violence and misery, overpopulated with children and adolescents
whose families fled from the guerrillas and who, as a result, are
particularly vulnerable to street war. They cling to anything
remotely protective- the women of families destroyed by domestic
violence, the omnipresent church, and the schools. The teacher who
helps them put their horrific experiences into words (the
notebooks), hopes to help them construct anchors in their lives.
Director: Catalina Villar; 55 minutes. Spanish w/ English subtitles.
Presented by: Claudia Vallejo.
April 1:
Bananas (U.S., 1971) The original novel, by Richard
Powell, should have supplied a sufficiently strong comedy idea by
itself: a dedicated Peace Corps staffer, of incredible innocence is
sent to a remote banana republic in the throes of eternal
revolution. As the potential supplier of American wealth, he is
fawned upon by all sides while being simultaneously exploited by
them all. Woody Allen rewrote the story and added his own touch of
wildness to produce one of his least intellectual but most popularly
demanded films. Director: Woody Allen; 82 minutes. English.
Presented by: Elizabeth Van Sant
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