Roger Thayer Stone Center For Latin American Studies

Tulane University

Edith Wolfe

SCLAS Assistant Director for Undergraduate Programs

Contact Info
ewolfe@tulane.edu

Edie Wolfe joined the Stone Center in July 2005. Her responsibilities include advising undergraduate students in the major and minor programs in Latin American Studies as well as coordinating events with TULASO, facilitating undergraduate-faculty communications, and teaching one section of the Introduction to Latin America course each semester. Edie has a Ph.D. in Art History with a specialization in twentieth-century Latin American modernism (UT Austin, 2005), an M.A. in Latin American Studies (UCLA, 1993), a B.A. in Art History and a B.S. in Environmental Design (UC Davis, 1986). Before coming to the Center, Edie taught in the Art History Department at Tulane and co-curated the exhibition Re-Aligning Vision: Alternative Currents in Latin American Drawing at UT Austin’s Blanton Museum of Art. Her research interests include modernism in the context of underdevelopment; national, transnational and diasporic cultures and identities; and postcolonialism, settler colonialism and subaltern studies.

To schedule a meeting with Edie Wolfe go to: http://meetme.so/ediewolfe

Degrees

  • B.A., University of California, Davis, Art History, 1986
  • B.S., University of California, Environmental Design, 1986
  • M.A., University of California, Los Angeles, Latin American Studies, 1993
  • Ph.D., The University of Texas at Austin, Art History, 2005

Academic Experience

  • Visiting Instructor, Department of Critical Studies, Massachussetts College of Art and Design, Spring 2008
  • Administrative Assistant Professor, Tulane University, 2005-
  • Adjunct Instructor, Tulane University, 2001-2004
  • Teaching Assistant, University of Texas, 1997-1998

Research & Teaching Specializations: Alternative modernisms; avant-garde and underdevelopment; primitivism; globalization; national, transnational and diasporic cultures/identities; colonialism, postcolonialism, cosmopolitanism and subaltern studies; cultural politics and exhibition practices

Related Experience

  • Assistant Director of Undergraduate Affairs, Stone Center for Latin American Studies, Tulane University, 2005-
  • Consultant, Latin American Studies Program Curricular Review, Oberlin College, 2009
  • Consultant, Area Studies Program and Interdisciplinary Curricular Review, Stone Center for Latin American Studies, Tulane University, 2004
  • Co-Curator, “Re-Aligning Vision: Alternative Currents in South American Drawing” Archer M. Huntington Art Gallery, The University of Texas at Austin, 1996-1999

Distinctions

  • Stone Center Summer Faculty Research Grant, Tulane University, 2009, 2014
  • Newcomb Fellows Research Grant, Newcomb College Institute, Tulane University, 2011
  • Outstanding Dissertation in the Humanities, The Graduate School, UT Austin, 2006
  • American Association of University Women, American Dissertation Fellowship, 2001-2002
  • Fulbright (IIE) Fellowship for Doctoral Research, 1999-2000
  • Social Science Research Council, International Dissertation Field Research Fellowship, 1999-2000

Language & Proficiency: Portuguese; Spanish

Selected Publications

  • Forthcoming. "Paris as Periphery: Vicente do Rêgo Monteiro and Brazil's Discrepant Cosmopolitanism." The Art Bulletin.
  • Forthcoming. “‘Exiled from the World': German Expressionism, Brazilian Modernism and the Interstitial Primitivism of Lasar Segall” in KulturConfusão: On Interculturality and German-Brazilian Encounters. Edited by Anke Finger, Gabi Kathöfer, and Christopher Larkosh. Berlin/New York: De Gruyter Collection
  • 2010. "O sol do Brasil: Nicolas-Antoine Taunay e as desventuras dos artistas franceses na corte de Dom João. By Lilia Moritz Schwarcz." Review Journal of Latin American and Caribbean Anthropology 15:1: 238-40
  • 2007. "Casta Painting: Images of Race in Eighteenth Century Mexico". By Ilona Katzew. Exploring New World Imagery. Edited by Donna Pierce." (Review) Ethnohistory 54:4 (Fall 2007), 775-777
  • 2006. “Lygia Clark, Compisição 5” and “Lygia Clark, Obra mole” in Gabriel Perez Barreiro, ed., The Geometry of Hope: Abstract Art from the Patricia Phelps de Cisneros Collection. Austin: Blanton Museum of Art, 2006, pp. 142 144, 201 202
  • 2005. "Art and Artists-Brazil," in J. Michael Francis, ed., Iberia and the Americas: Culture, Politics, and History. Santa Barbara: ABC CLIO, 2005, pp. 94-101

Recently-Taught Latin American-Related Courses: LAST 101 Introduction to Latin American Studies I: Historical Origins of Contemporary Issues; Introduction to Latin American Studies II: Local Responses to Global Problems; Capstone Seminar for Graduating Seniors in Latin American Studies; Model Organization of American States: Jamaica; Model Organization of American States: Nicaragua; Cosmopolitanisms in Latin American Art and Culture; Latin American Infusion; Youth and Social Change in Latin America

Number of Dissertations or Theses Supervised in the Past 5 Years: 4

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Upcoming Events

"Where the River Bends" Photographic Exhibit

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The Consulate of Mexico in New Orleans is pleased to partner with the PhotoNOLA Festival 2014 presenting the photographic exhibition by artist Scott Dalton "Where The River Bends" from December 3rd to December 30th, 2014

Opening reception December 3rd, 2014 at 6:00pm

Scott Dalton is an editorial and corporate photographer living in Houston, Texas. He was based for 14 years throughout Latin America, mainly in Bogotá, Colombia, where he photographed the civil conflict and drug war before returning to his home state of Texas. He now photographs both editorial and corporate assignments while spending his free time working on long-term personal projects. Currently he is working along the troubled border region near Ciudad Juárez, Mexico as well as projects throughout the American South. His photography has appeared in the New York Times, Bloomberg, The Wall Street Journal, National Geographic, Harper’s, Time, Newsweek, the Washington Post Magazine, Condé Nast Portfolio, Business Week, and The New Yorker, among other outlets. His documentary film, LA SIERRA, won numerous awards and has been broadcast by PBS, BBC, HBO Latino, and many other international broadcasters.

Congreso internacional de literatura y cultura centroamericanas (CILCA XXIII)

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Tulane University, Loyola University New Orleans, y Purdue University Calumet tienen el gusto de invitar al CONGRESO DE LITERATURA y CULTURA CENTROAMERICANAS (CILCA XXIII) que se llevará a cabo en la ciudad de New Orleans, Louisiana, del 11 al 13 de marzo del 2015 en el campus de Tulane University y Loyola University New Orleans.

Desde el primer congreso realizado en Nicaragua 1993, CILCA se ha caracterizado por ser un espacio de intercambio intelectual y de amistad para académicas/os, escritoras/es y lectoras/es. El congreso se ha efectuado en todos los países centroamericanos y por primera vez en su historia, CILCA se realizará en los Estados Unidos. La ciudad escogida es Nueva Orleáns, puerta de entrada hacia el Caribe y los países de América Central. El intercambio cultural entre Nueva Orleáns y América Central ha sido intenso por muchísimos años, y la ciudad alberga una de las comunidades de origen hondureño más grandes de los Estados Unidos. Tulane University tiene estrechos lazos con la región a través del Stone Center for Latin American Studies, the Latin American Library, y the Middle American Research Institute. Loyola University New Orleans se ha distinguido por el trabajo con las comunidades hispanas que realizan varias de sus unidades académicas, incluyendo the Law School y el Center for Latin American and Caribbean Studies.

La organización de CILCA XXIII la realizan la Dra. Maureen Shea y el Dr. Uriel Quesada, expertos en literatura y cultura centroamericanas, con el apoyo del Dr. Jorge Román Lagunas, creador y promotor de CILCA.

Ud. puede ver La convocatoria aquí

Tulane University, Loyola University New Orleans, and Purdue University Calumet invite you to the Congress on Literature and Culture of Central America (CILCA XXIII) which will take place in New Orleans, Louisiana March 11-13 2015 on the campuses of Tulane and Loyola New Orleans.

From the first conference, held in Nicaragua in 1993, CILCA has been a space for intellectual exchange and friendship for academics and writers. The conference has been held in all of the Central American countries and for the first time in its history will be held in the United States. New Orleans, the gateway to the Caribbean and Central America, has been chosen as the location. New Orleans and Central America have a longstanding cultural exchange and New Orleans has one of the largest Honduran communities in the United States. Tulane has long connections with the region through the Stone Center for Latin American Studies, the Latin American Library, and the Middle American Research Institute. Loyola New Orleans works closely with hispanic communities particularly through the Law school and the Center for Latin American and Caribbean Studies.

CILCA XXIII is organized by Drs. Maureen Shea and Uriel Quesada, experts on the literature and culture of Central America, with the support of Dr. Jorge Román Lagunas, creator of CILCA.

  • CALL FOR PAPERS DEADLINE HAS BEEN EXTENDED TO JANUARY 15, 2015. Call for papers is available here
  • MAKE RESERVATIONS AT THE HOTEL HERE.

Registration prices are listed below:

Early Registration (BEFORE January 15, 2015):

  • $150.00 U.S. academics
  • $125.00 U.S. Latin American academics traveling from Latin America; graduate students in the U.S.
  • $100.00 Latin American graduate students traveling from Latin America

Late registration (AFTER January 15, 2015):

  • $165.00 U.S. academics
  • $140.00 Latin American academics traveling from Latin America; graduate students in the U.S.
  • $115.00 Latin American graduate students traveling from Latin America

2015 Maya Symposium Teacher Workshop

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The Stone Center for Latin American Studies, in collaboration with the Middle American Research Institute, and the Consulate of Mexico in New Orleans, will present a teacher workshop in conjunction with the 12th Annual Tulane Maya Symposium, Royal Chambers Unsealed: Tombs of the Classic Maya.

This year the workshop will be held at the Consulate of Mexico, in conjunction with an exhibit of the works of Jay A. Frogel entitled “Maya Ruins and the Passage of Time: The Stephens and Catherwood Project.” Frogel mixes Frederick Catherwood drawings of ancient Maya sites with contemporary photographs to show the passage of time in these sites. The workshop will discuss basic information about the Maya, early explorers of the Maya area, and tips for teaching about the Maya in a global classroom.

The workshop will be held on Friday, March 20th, with a reception and viewing of the exhibit “Maya Ruins and the Passage of Time: The Stephens and Catherwood Project” on Thursday evening.

More details on the workshop schedule will follow shortly.

To register for the workshop, please visit the symposium page

12th Annual Tulane Maya Symposium: Royal Chambers Unsealed: Tombs of the Classic Maya

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The Middle American Research Institute and Far Horizons are proud to present the Twelfth Annual Tulane Maya Symposium and Workshop. This year's symposium, titled "Royal Chambers Unsealed: Tombs of the Classic Maya", will explore the significance the ancient Classic Maya placed on the death of their divine rulers, as well as the meaning they invested in their funerary architecture, building decoration, grave goods, burial texts, and mortuary rituals.

This year’s Keynote, hosted at the New Orleans Museum of Art, will be given by Dr. William Fash of Harvard University who will guide us through the rich and impenetrable funerary world of the Classic Maya. The talks, to be held on Saturday March 21st, will discuss tombs and funerary texts from across the Maya area, including examples from Honduras, Guatemala, Belize, and Mexico. The speakers are an equally diverse group, with speakers from Honduras, Guatemala, Belize, Mexico, Spain, and the United States.

To learn more about the program, visit the symposim website.

To register please visit the registration page.

For more information, contact MARI