Roger Thayer Stone Center For Latin American Studies

Tulane University

The American Slave Coast: A History of the Slave-Breeding Industry

November 9th, 2015
6:30 PM

Location
Freeman Auditorium, Tulane University

The American Slave Coast: A History of the Slave-Breeding Industry
Co-authors Ned and Constance Sublette, in conversation with Gwen Thompkins, host of the radio show Music inside Out

Free and open to the public, followed by a book signing and catered reception
Sponsored by the New Orleans Center for the Gulf South and the African and African Diaspora Studies Program at Tulane University

New scholarship around slavery is emerging in the 21st century and the Sublettes’ new book The American Slave Coast: A History of the Slave-Breeding Industry offers a provocative vision of US history from earliest colonial times through emancipation that presents even the most familiar events and figures in a revealing new light. Gwen Thompkins will interview Ned Sublette during the first phase of the evening, and Constance Sublette will join for a Q&A session with the audience, to consider this history and how it shapes our society today.

“The American Slave Coast explores how the slavery business made the reproductive labor of the people it referred to as ‘breeding women‘€™ essential to the expansion of the nation. The children born to enslaved women were not only labor, but merchandise and collateral, all at once. One of the two principals of the antebellum slave economy was staple crops ‘€” primarily cotton, the United States‘€™ major export ‘€” which provide the cash flow. The other was enslaved people, who counted as capital and functioned as the stable wealth of the South. Tracing the history of money in America, The American Slave Coast places the slave trade squarely at the center of U.S. economic history. Describing its operation in detail, with an unhesitating frankness about a subject that is often cloaked in euphemism, The American Slave Coast is an essential read for anyone interested in American history, the American economy of the American South.‘€ ‘€” Thomas Peña

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Upcoming Events

The Materiality of Insurgency in the Colonial Andes

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The Stone Center recently agreed to co-sponsor Dr. Ananda Cohen-Aponte’s upcoming talk, “The Materiality of Insurgency in the Colonial Andres” which is scheduled for Thursday, October 29 at 5:00 PM via Zoom. The talk is part of the year-long “Representation and Resistance: Scholarship Centering Race in Western Art” lecture series organized by the Newcomb Art Department and co-sponsored by the Africana Studies Program and is also the 2020 Terry K. Simmons Lecture in Art History for this year.

Details can also be found here on the lecture series website:
https://liberalarts.tulane.edu/departments/newcomb-art/representation-and-resistance-scholarship-centering-race-western-art

Film discussion: "O Pai, O" - Carnaval and the intersectionality of oppressions in Salvador/Bahia

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Language: introduction in Portuguese Questions and comments welcome in Portuguese, English, or Spanish

Facilitators: Sílvia Lorenso, Associate Professor and Director, Middlebury School in Brazil Guimário Nascimento, History Teacher, Colégio Nossa Senhora Soledad, Salvador Tatiane Cerqueira, Mestre and PhD student at Universidade Federal de Santa Catarina, UFSC

Click here to access the film.
*Warning: Some scenes in the film contain graphic violence and sex.

Office of Study Abroad

"The Past is a Foreign Country" and "Landscape Fever" Premiere at New Orleans Film Festival

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The Stone Center for Latin American Studies (SCLAS) and The Cuban and Caribbean Studies Institute (CCSI) at Tulane University will again sponsor several films in this year’s New Orleans Film Festival. We are excited to support a diverse mix of films, including several narrative features, documentaries, and experimental shorts. In addition, CCSI director Dr. Ana López will lead a series of Q&A’s with select directors.

“The Past is a Foreign Country” and “Landscape Fever” are Spanish-language short films directed by Gabrielle Garcia Steib, sponsored by the Stone Center for Latin American Studies.

Via New Orleans Film Festival website:

The Past is a Foreign Country addresses the past as an idea of which we have control, particularly to discuss the intersection of communities in New Orleans with those in Latin America”.

Landscape Fever is a short film that addresses the narrative of a Honduran immigrant corroded by violence upon her path migrating to New Orleans. Using archival footage filmed along the U.S. / Mexican border, and sound designed by Udit Duseja merged with field recordings- the viewer may step into the world of a traumatic yet common experience that occurs among the borderlands.”

Individual passes are not available for short films. However, the NOFF offers a “Virtual Shorts Pass” for $55.00 that allows access to all short films. This pass can be purchased here

"Landfall" Premiere at New Orleans Film Festival

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The Stone Center for Latin American Studies (SCLAS) and The Cuban and Caribbean Studies Institute (CCSI) at Tulane University will again sponsor several films in this year’s New Orleans Film Festival. We are excited to support a diverse mix of films, including several narrative features, documentaries, and experimental shorts. In addition, CCSI director Dr. Ana López will lead a series of Q&A’s with select directors.

Landfall, is an English-language Puerto Rican documentary film, directed by Cecilia Aldarondo.

Via New Orleans Film Festival website:
“A kaleidoscopic portrait of Puerto Rico in the wake of Hurricane María, Landfall investigates a storm of much greater magnitude: the economic crisis crippling the island long before María arrived.”

Tulane’s Cuban and Caribbean Studies Institute is sponsoring this film. More information and tickets are available here

Cuban Slavery and the Atlantic World

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The Gilder Lehrman Center‘€™s 22nd Annual International Conference provides a forum for discussion of the study of Cuban slavery and emancipation today, placing the island‘€™s history within the wider Atlantic world. Over the past few decades, the study of Cuban history has been an increasingly international effort. Cuban historians have interacted more and more with colleagues from abroad, with discussions grounded in the unique primary sources found in the rich Cuban archives. These scholars have demonstrated the importance of understanding Cuban slavery within the context of the Atlantic world and broad colonial networks of domination and resistance. This conference brings together scholars from Cuba and abroad working on the transatlantic slave trade, resistance, systems of control, abolition and emancipation, and the memory and legacies of slavery in Cuba. Join us for in-depth conversations about the present and future of understanding slavery and its long aftermath in this crucial part of the world.

"Verde" Premiere at New Orleans Film Festival

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The Stone Center for Latin American Studies (SCLAS) and The Cuban and Caribbean Studies Institute (CCSI) at Tulane University will again sponsor several films in this year’s New Orleans Film Festival. We are excited to support a diverse mix of films, including several narrative features, documentaries, and experimental shorts. In addition, CCSI director Dr. Ana López will lead a series of Q&A’s with select directors.

Verde, is a Spanish-language, Dominican feature film, directed by Alfonso Morgan-Terreno.

Via New Orleans Film Festival website:
“When a bystander is killed during the robbery of a goldmine, the spilled blood stains more than the three men responsible, saturating the tight-knit fabric of their tiny Dominican village, seeping into the landscape itself. In a feature debut that pairs clear-eyed observation with ghostly intelligence, Alfonso Morgan-Terrero takes a familiar story, a dark passage of revenge and bloodshed, and sinks its noirish elements deep into the texture of its surroundings: rough-hewn structures, alleys of broken rock bathed in grimy orange streetlight, and the enveloping green of the forest. Under the film’s hypnotized gaze, kinship, brotherhood, and enmity are blurred and masquerade as one another”.
-Jonathan Kieran.

Tulane’s Cuban and Caribbean Studies Institute is sponsoring this film. More information and tickets are available here