Roger Thayer Stone Center For Latin American Studies

Tulane University

Latino Film Series at the 2014 Annual New Orleans Film Festival

October 18th, 2014 - October 23rd, 2014

The 25th Annual New Orleans Film Festival is proud to present its Latino Film Sidebar Series at the 2014 NOFF, presented by the New Orleans Film Society.

This year two feature length films and five short films by Latino filmmakers have been selected to premiere at the New Orleans Film Festival 2014.

For the complete festival schedule, film and event info plus online tickets, please visit the New Orleans Film Festival website.

The screening schedule for these films is as follows:

Of Kites and Borders
Follows four children living in Tijuana as they help their families to make ends meet, capturing what the U.S.-Mexico border looks like from the other side. The everyday routines and encounters collected here demonstrate how the border’s very existence — the possibility of crossing, the of America — shapes the lives of those who live alongside it, whether or not they ever leave Tijuana. Director: Yolanda Pividal. View a trailer here.
Saturday, October 18: 3:15pm at Canal Place Cinema
Thursday, October 23: 12:00pm at Canal Place Cinema

Triples (Trillizos) – documentary short screens just prior to each screening of Of Kites and Borders
Lorenzo, Leonel, and Luis are gifted 16-year-old triplets who live with their family in a two-room informal house in Tijuana, Mexico. Through discipline and resolve, they find alternatives to the limited opportunities available in conditions of structural poverty. Director: Itzel Martinez del Canizo

Penumbra
A rural Mexican couple — poor and decades past their prime — carry about their ritualistic, day- to-day lives, awaiting the inevitable, in this pensive film. Penumbra appreciates stillness and likes to linger — oftentimes at length — on beautiful imagery. Shot almost exclusively during the magic hour, right before the sun settles into night, the film examines the quiet twilight of one couple’s life and finds the beauty in that transitional period from life to death. Director: Eduardo Villanueva. View a trailer.
Sunday, October 19: 3:45pm at Canal Place Cinema
Monday, October 20: 6:00pm at Canal Place Cinema
Tuesday, October 21: 6:30pm at New Orleans Mexican Consulate (901 Convention Center Blvd. Suite #119 — 504.528.3722) — Special reception and talk with the Director of the film and the Mexican Consulate (Free and open to the public)

Mirza the Miraculous
This lo-fi, sci-fi tale of outer space, mystics and carnivals centers around a fraudulent shaman known as The Great Bazandini and his daughter, Mirza, who really does have special powers. Originally shot in 1999 along the Mexican border, this is a film 15 years in the making. Featuring Paul Soileau (Christeene) and an original score and sound effects by New Orleans’ own Quintron. Director: Brent Joseph
Sunday, October 19: 9:00pm at Prytania Theater (uptown)

Gloom (Perfidia)
A servant obsesses over the daughter of his recently deceased boss. Turns out the dead boss’ relationship with his daughter had an obsessive side as well. Director: David Figueroa Garcia
Saturday, October 18: 1:30pm at Canal Place Cinema
Tuesday, October 21: 2:00pm at Canal Place Cinema (FREE)

The Great Adventure (La Gran Aventura)
A thesis film from Cuban documentary film students, this short profiles the loneliness of a radio soap script writer. As her life is projected onto the character she is creating and sharing with a listener, she connects two different worlds which seek, through fiction, to make sense of the daily adventure of life. Director: Cassandra Oliveira
Sunday, October 19: 4:00pm at Canal Place Cinema
Thursday, October 23: 3:30pm at Canal Place Cinema (FREE)

**_Tonita’s**_
A portrait of the last Puerto Rican social club in South Williamsburg, Brooklyn, NYC. The 30-year- old Caribbean sports club has witnessed the transformation of South Williamsburg from a Hispanic neighborhood ravaged by gang violence and drugs into one of the hippest and most luxurious places in New York City. Director: Beyza Boyacioglu, Sebastian Diaz
Sunday, October 19: 4:00pm at Canal Place Cinema
Thursday, October 21: 3:30pm at Canal Place Cinema (FREE)

***

Tickets for all screenings may be purchased online and/or at any of each film’s theater box office, as well as in person at the NOFF HQ Box Office inside the main lobby/atrium of the Contemporary Arts Center located at 900 Camp Street, New Orleans, LA, 70130.

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Zale-Kimmerling Writer in Residence Valeria Luiselli

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via Newcomb Institute

Valeria Luiselli was born in Mexico City and grew up in South Korea, South Africa and India. An acclaimed writer of both fiction and nonfiction, she is the author of the essay collection Sidewalks; the novels Faces in the Crowd and The Story of My Teeth; Tell Me How It Ends: An Essay in Forty Questions and Lost Children Archive. She is the recipient of a 2019 MacArthur Fellowship and the winner of two Los Angeles Times Book Prizes, The Carnegie Medal, an American Book Award, and has been nominated for the National Book Critics Circle Award, the Kirkus Prize, and the Booker Prize. She has been a National Book Foundation “5 Under 35” honoree and the recipient of a Bearing Witness Fellowship from the Art for Justice Fund. Her work has appeared in The New York Times, Granta, and McSweeney’s, among other publications, and has been translated into more than twenty languages. She is a Writer in Residence at Bard College and lives in New York City.

The Zale-Kimmerling Writer-in-Residence Program brings renowned woman writers to the Tulane campus. Coordinated through the Newcomb Institute, the Zale-Kimmerling Writer-in-Residence program was established by Dana Zale Gerard, NC ‘€˜85, and made possible by an annual gift from the M.B. and Edna Zale Foundation of Dallas, Texas. Since 2006, the program has been generously supported by Barnes & Noble College Booksellers. In 2010, the program became fully endowed through a gift from Martha McCarty Kimmerling, NC‘€™63, and known as the Zale-Kimmerling Writer-in-Residence program.

Laura Anderson Barbata: Transcommunality Exhibit K-12 Educator Orientation

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Join us for an evening with Tom Friel, Coordinator for Interpretation and Public Engagement as he walks through an innovative tool developed to share the Newcomb Art Museum’s latest exhibit, Laura Anderson Barbata: Transcommunality. The program is designed to introduce K-12 educators to Laura Anderson Barbata’s work and focus on specific elements of the exhibit that connect deeply to the K-12 classroom. While the exhibit is open to limited public access, it plans to open to the public and school visits by Fall 2021. Educators from across the country will find this online introduction to Barbata’s work a valuable resource as the virtual exhibit serves as a unique tool for online learning.

Read more about this exhibit from the Newcomb Gallery of Art About the Exhibit page below:

“The process-driven conceptual practices of artist Laura Anderson Barbata (b. 1958, Mexico City, Mexico) engage a wide variety of platforms and geographies. Centered on issues of cultural diversity, ethnography, and sustainability, her work blends political activism, street theater, traditional techniques, and arts education. Since the early 1990s, she has initiated projects with people living in the Amazon of Venezuela, Trinidad and Tobago, Mexico, Norway, and New York. The results from these collaborations range from public processional performances, artist books and handmade paper, textiles, countless garments, and the repatriation of an exploited 19thcentury Mexican woman ‘€” each designed to bring public attention to issues of civil, indigenous, and environmental rights.

In Transcommunality, work from five of Barbata‘€™s previous collaborations across the Americas are presented together for the first time. Though varying in process, tradition, and message, each of these projects emphasize Barbata‘€™s understanding of art as a system of shared practical actions that has the capacity to increase connection. The majority of the works presented are costumed sculptures typically worn by stilt-dancing communities. Through the design and presentation of these sculptures, Barbata fosters a social exchange that activates stilt-dancing‘€™s improvisational magic and world history. At the core of this creative practice is the concept of reciprocity: the balanced exchange of ideas and knowledge.

The events of this past year ‘€” from the uprisings across the country in response to fatal police shootings to the disproportionate impacts of Covid-19 among Black and brown communities to the bitter divisiveness of the 2020 presidential election ‘€” have renewed the urgency for Barbata‘€™s multifaceted practice. In featured projects such as Intervention: Indigo, participants from various backgrounds reckon with the past to address systemic violence and human rights abuses, calling attention to specific instances of social justice. In The Repatriation of Julia Pastrana, Barbata‘€™s efforts critically shift the narratives of human worth and cultural memory. The paper and mask works presented in the show demonstrate the impact of individual and community reciprocity, both intentional and organic. Through her performance partnerships in Trinidad and Tobago, New York, and Oaxaca, represented throughout the museum, onlookers are invited to connect to the traditions of West Africa, the Amazon, Mexico, and the Caribbean and the narratives these costume sculptures reflect on the environment, indigenous cultures, folklore, and religious cosmologies.

By encouraging diverse collaborators to resist homogenization and deploy the creative skills inherent to authentic local expressions and their survival, Barbata promotes the revival of intangible cultural heritage. Transcommunality horizontally values the systems of oral history and folklore, spirituality, and interdisciplinary academic thought that shape Barbata‘€™s engaging creations, celebrating the dignity, creativity, and vibrancy of the human spirit.”

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An Evening with Multi-Award Winning Author Elizabeth Acevedo

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Join us for an evening with Elizabeth Acevedo. Acevedo presents her third book, Clap When You Land, and discusses her writing process and performance background. The discussion will be followed by a reading.

Poet, novelist, and National Poetry Slam Champion, Elizabeth Acevedo was born and raised in New York City, the only daughter of Dominican immigrants. She is the author of Clap When You Land, (Quill Tree Books, 2020); With the Fire On High, (Harper, 2019); the New York Times best-selling and award-winning novel, The Poet X. (HarperCollins, 2018), winner of the 2018 National Book Award for Young Adult Fiction, the 2019 Michael L. Printz Award, and the Carnegie Medal; and the poetry chapbook Beastgirl & Other Origin Myths. (YesYes Books, 2016), a collection of folkloric poems centered on the historical, mythological, gendered and geographic experiences of a first-generation American woman. From the border in the Dominican Republic, to the bustling streets of New York City, Acevedo’s writing celebrates a rich cultural heritage from the island, inherited and adapted by its diaspora, while at the same time rages against its colonial legacies of oppression and exploitation. The beauty and power of much of her work lies at the tensioned crossroads of these competing, yet complementary, desires.

This online program is free and open to the public. It is part of our ongoing series of public engagement programs with Latinx writers that explore Latin America, race, and identity. Read more about Acevedo’s work in this recent article from The Atlantic.

Sponsored by the Stone Center for Latin American Studies and the Newcomb Institute.

REGISTER FOR THE ZOOM WEBINAR HERE.

Other Supported Events

  • March 16, 2021 – An Evening with Dominican Musician and Poet, Fermín Ceballos. Sponsored by the Center for the Gulf South
  • March 25, 2021 – Open Mic Night In Celebration of Elizabeth Acevedo. Sponsored by the Tulane Black Student Union (tBSU) and the Office of Multicultural Affairs

Please help us to support local bookstores by purchasing any copies of Acevedo’s books at Tubby & Coo’s.

For more information, please email crcrts@tulane.edu or call 504.865.5164.

Kaqchikel/K'iche' Language Table: Sociolinguistic Language Variation

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Join fellow students, teachers, and native speakers to practice your Kaqchikel language skills and deepen your understanding of Kaqchikel culture. This event is held on the last Thursday of each month for the duration of the Spring 2021 semester.

The March 25th session will focus on sociolinguistic variations within the Kaqchikel language. It will be facilitated by Rebecca Moore.

Kaqchikel/K'iche' Language Table: K'iche' Language Learning

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Join fellow students, teachers, and native speakers to practice your Kaqchikel language skills and deepen your understanding of Kaqchikel culture. This event is held on the last Thursday of each month for the duration of the Spring 2021 semester.

The April 29th session will focus on K’iche’ language learning with guest speaker Nela Petronila Tahay Tzay. It will be facilitated by Ignacio Carvajal.

Global Read Webinar Series Spring 2021

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The Stone Center for Latin American Studies coordinates the annual CLASP Américas Award for Children’s and Young Adult Literature and is excited to collaborate with other world area book awards on this exciting online program. Join us this spring 2021 as we invite award winning authors to join us in an online conversation about social justice, the writing process and an exploration of culture and identity across world regions. This annual Global Read Webinar series invites readers of all ages to join us as we explore books for the K-12 classroom recognized by world area book awards such as the Africana Book Award, the Américas Award, the Freeman Book Award, the Middle East Outreach Council Book Award, and the South Asia Book Award.

Each webinar features a presentation by an award-winning author with discussion on how to incorporate multicultural literature into the classroom. Be sure to join the conversation with our webinar hashtag #2021ReadingAcrossCultures.

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SPRING 2021 SCHEDULE – Read more about the program here.
All webinars are at 7:00 PM EST.

  • January 12 – The Américas Award highlights the 2020 Honor Book, The Moon Within by Aida Salazar
  • February 3 – The Children’s Africana Book Award highlights the 2020 book award winning, Hector by Adrienne Wright
  • March 11 – The Middle East Outreach Award presents 2020 Picture Book award winner, Salma the Syrian Chef by Danny Ramadan, illustrated by Anna Bron
  • April – Freeman Book Award, a project of the National Consortium for Teaching Asia will present a book TBD.
  • May 13 – South Asia Book Award presents The Night Diary by Veera Hiranandani

REGISTER FOR THE SERIES HERE

All sessions are free and open to the public. All times listed refer to Eastern Standard Time (EST). Sponsored by the Consortium of Latin American Studies Programs, the South Asia National Outreach Consortium, the Middle East Outreach Council, and African Studies Outreach Council, The National Consortium for Teaching about Asia.