Roger Thayer Stone Center For Latin American Studies

Tulane University

"Saludos desde San Jose!" written by Jack Mace

By Annie Gibson

I am handing over my blog on the CIAPA Experience to the students participating in the program. This way you all can have a better idea of what life is like for a student at CIAPA. This blog entry is written by Currin Wallis. She is a freshman student who has begun her first semester of Tulane at CIAPA in Costa Rica 2012. Pura Vida, Professor Gibson

Jack’s Blog:

Saludos desde San Jose! Greetings!

Hello. I am writing this blog entry from my dorm room, room 205, which sits on the top floor of a large, hotel-like building on the joint Tulane – CIAPA campus in San Jose, Costa Rica. This building is where us Tulane students spend a lot of our time: studying for our various classes, eating, and sleeping, in that order of importance. The time as of now is 2:30 pm, on a Tuesday, October 7. Around me sits piles of essays and sketches strewn across my desk, and in front of me, pinned to a drawing board, is the schedule of my classes for the Fall 2012 Semester, which I double-check constantly out of forgetfulness. If I were to turn around and look out my open door, I would see the miniature rainforest that covers the CIAPA campus, and farther on, a towering golden “M”, for McDonald’s, back-dropped by the rolling, tropical-green hills and mountains that surround the city of San Jose. As I write this, the city is alive with a heavy rain, and thunder rumbles fiercely overhead, as it does almost every afternoon in this place. My name is Jack, and I’m one of the students studying at CIAPA in San Jose, Costa Rica.

As a student here at CIAPA, there is much and more to do, and almost everything we do is tied together with our studies. During the week my five other peers and I go about our daily business: going to class, taking the bus into San Jose, making our way to the local gym of which we have been granted membership, personal trainers, and thumb-print recognition access. Fellow gym members, most of them young, will often greet us with a “pura vida”, or “pure life”, a saying that Ticos (Costa Ricans) are fond of as both greetings and farewells.

On Mondays and Tuesdays, we visit two respective high schools in San Jose and work with English classes there. The last time we visited, we played the Spanish version of Scrabble with the class, and the next two hours saw countless conversations in Spanglish about life in general. The group that connects us with these schools is called the Youth Action Foundation, and it works with high schools all over Costa Rica to improve the quality of education for kids in primary and secondary school.
The rest of the week is spent studying and reading for our busy class schedule, which includes topics like Comparative Politics, Central American Government, and Latin American Art History. All of the classes are humanities, and I miss science, but they blend into such a cohesive study of Latin America – specifically Central America – that I often find myself forgetting which class I’m studying for. Weekends are usually a time to break free from the week’s routine and travel around the area, but occasionally we head out on organized, group weekend trips. So far these trips have led us to the cloud forests of Monteverde, white-water rafting in the mountains of Rara Avis, and, in the future, to the Caribbean beaches of the city of Limon. Again, I can’t express enough the beauty of this place.

Over the course of my stay here, I’ve made attempts to define the identity of this place called “Rich Coast”, and I have found it to be very difficult to pinpoint. Instead, flashes of inspiration will come to me in certain moments, much like the silent flashes of lightning that, late in the night, briefly illuminate the dark masses of mountains that surround CIAPA. I once watched out of a bus window as a series of young people marched on the street, banging unceremoniously and without rhythm on drums; this was Costa Rica. On one of our many weekend trips as a group, we visited the cloud forest of Monteverde, and were able to walk amidst and listen to the forest come alive with rain in the night; this was also Costa Rica. Costa Rica’s identity is hard to define, but I’ve come to the conclusion that Costa Rica is a proud country: proud of its natural splendor, proud of its history as one of the leading countries in Central America in political and economic stability, and proud of its happy people. At the same time, globalization and foreign influence have done their deeds, and Costa Rica’s identity is now attempting to cope with things like a beautiful, unique tropical bird perched on a giant, humming McDonald’s arch. Unfortunately that is only one of many examples of identity crisis. But this brings me to the National Theater.

When the United States was undergoing Industrialization, there began a large movement of appreciating and in turn depicting the vast, previously untouched nature of North America that was now being taken for granted. The United States has its Hudson River Painters, and Costa Rica has the National Theater in San Jose.

While it may be a bit of an overstatement to compare these two countries in terms of rejuvenating the appreciation for the national environment, it is certainly undeniable that both played, and are playing a part in the conservation of national identity when it comes to natural splendor. The National Theater is a huge building at the center of the Plaza of Culture in San Jose, which in turn is in the center of the city. The Plaza was originally built around the Theater, which was one of the first buildings to arise in the area, tall and majestic, dwarfing the one-story colonial homes it stood amidst at the turn of the 20th century. Now it stands as a cultural center for both locals and tourists. On the two occasions I’ve been to the theater (both of which played notable substitutions for our actual Tulane Interdisciplinary class), the shows seemed to emanate an irresistible love affair between Costa Rica and its people.
The first show was a performance by the Jazz pianist Chucho Valdez and his band, the Afro-Cuban Messengers. The performance was impossible to describe with words, but I can say that it gave me a newfound appreciation for Latin American music. When I got back to CIAPA I immediately downloaded all of Valdez’ music from “iTunes”. The performance was also unique in that involved the crowd pretty vehemently. Towards the end the band had everyone in the theater dancing, singing, and clapping. I can’t say for sure that this is a Costa Rican quality, but I can say that I would rarely see that in Seattle, Washington (where I’m from).

The second performance celebrated an anniversary of the Theater, and involved three separate acts of dance. Throughout the show we saw naked women and men running around attempting not to conform to society; a man and a woman falling in and out of love with fiery Latin flare; and a slow, ritualistic dance with big jungle cats, lots of water, and artificial steam and bird noises. All of these acts shared the same quality of attempting to celebrate Costa Rican culture, and by the end, it had succeeded at least with me. Of course, I acknowledge that these performances are filtered from real experiences with these aspects of Costa Rican culture, but when it was over I at least had the feeling that I knew Costa Rica a little better.

In conclusion, come to Costa Rica, but don’t go to college here – there are too many distractions. While you are here, please visit the National Theater.

Pura vida,

Jack Mace

ABOUT THE AUTHOR

  • Annie Gibson

    Professor of Practice/Director of the Early Experience at CIAPA

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Upcoming Events

Bruno Bosteels speaks at Loyola University

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The Center for Latin American and Caribbean Studies at Loyola University presents: “Politics and Violence in Latin America: Democracy in the Criticism of Arms,” a talk by Bruno Bosteels, Professor of Romance Studies at Cornell University. Bosteels is the author of Badiou and Politics, Marx and Freud in Latin America, and The Actuality of Communism, among other works.

For more information on this event, please contact Josefa Salmon at salmon@loyno.edu.

This event is sponsored by the Center for Latin American Studies and the Caribbean, The Languages & Cultures Department at Loyola University, Rev. Scott Youree Watson, Gregory F. Curtin & Rev. Guy Lemieux SJ SAK Distinguished Professorships.

For the event flyer, click here.

The Pebbles Center turns 10!

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The Pebbles Center is celebrating its 10th Anniversary! The 10th anniversary falls on Dia, a celebration of children and reading. To celebrate, the Pebbles Center is hosting renowned children’s book author Jorge Argueta. Mr. Argueta was a guest at the inauguration of the Pebbles Center 10 years ago. See photographs from Mr. Argueta’s previous visit here. He will present an interactive presentation based on some of his most recent books.

Jorge Tetl Argueta is a celebrated Salvadoran poet and writer whose bi-lingual children’s books have received numerous awards. A native Salvadoran and Pipil Nahua Indian, Jorge spent much of his childhood in rural El Salvador. He feels that everybody is capable of writing, especially young children who are natural poets! Argueta has written a series of delicious cooking poems perfect for reading while cooking or incorporating food into the classroom. Come out and celebrate with us!

Children and parents will be able to enjoy a wonderful reading and a workshop highlighting the delicious foods found in his books. We will be of course providing snacks as well as be able to distribute a handful of bilingual books donated by the New Orleans Public Library.

El 30 de abril es una fecha muy significativa para los niños. Se celebra el día de los niños y de los libros. Esta celebración se conoce como El día de los niños/ El día de los libros, y celebra la alegría y las maravillas de la infancia y la importancia de los libros en nuestra vida. Ven a celebrar con nosotros el día con autor salvadoreño Jorge Argueta.

Para una lista con la dirreción de todas las bibliotecas, por favor visite la página de web de la biblioteca pública de la Nueva Orleáns.

For more information or if you have questions please contact the Latin American Resource Center at crcrts@tulane.edu or check our Facebook page.

Sponsored by the Stone Center for Latin American Studies, and the New Orleans Public Library.

Photo by Nina Menconi.

Art Syncopation

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The Consulate of Mexico in New Orleans and the New Orleans Jazz and Heritage Festival are pleased to present an art exhibit of renowned artist Angel Gonzalez de la Tijera entitled “Art Syncopation.” An opening reception will be held on April 22nd at 6 PM. The exhibit will be on display through May 20th.

Angel Gonzalez de la Tijera is an important Mexican Painter and one of the most significant contributors to contemporary figurative Mexican art. His work primarily focuses on figures and portraits in conjunction with music. His art reveals form and substance in a realistic manner.

Gonzalez de la Tijera was born in Mexico City in 1958. He developed his painting style, figurative realism, as a student of master painter Santiago Carbonell.